Director Elizabeth Banks takes the helm as the next generation of fearless Charlie’s Angels take flight. In Banks’ bold vision, Kristen Stewart, Naomi Scott, and Ella Balinska are working for the mysterious Charles Townsend, whose security and investigative agency has expanded internationally. With the world’s smartest, bravest, and most highly trained women all over the globe, there are now teams of Angels guided by multiple Bosleys taking on the toughest jobs everywhere. The screenplay is by Elizabeth Banks from a story by Evan Spiliotopoulos and David Auburn.'
Career con man Roy Courtnay (Ian McKellen) sets his sights on his latest mark: recently widowed Betty McLeish (Helen Mirren), worth millions. And he means to take it all. But as the two draw closer, what should have been another simple swindle takes on the ultimate stakes. Legendary actors Mirren (Oscar winner, “The Queen”) and McKellen (two-time Oscar nominee, “Lord of the Rings: The Fellowship of the Ring,” “Gods and Monsters”) star together on screen for the first time in this suspenseful drama from New Line Cinema about the secrets people keep and the lies they live. “The Good Liar” was directed by Bill Condon, the Oscar-winning screenwriter of “Gods and Monsters,” from a screenplay by Jeffrey Hatcher (“Mr. Holmes”), based on the widely acclaimed novel by Nicholas Searle. The starring cast includes Russell Tovey (TV’s “Quantico”) and Jim Carter (TV’s “Downton Abbey”). The film was produced by Greg Yolen and Bill Condon. Richard Brener, Andrea Johnston, Aaron L. Gilbert, Jason Cloth, Anjay Nagpal, Jack Morrissey, and Nick O’Hagan were the executive producers. The creative filmmaking team included director of photography Tobias Schliessler (“Beauty and the Beast,” “Mr. Holmes”), production designer John Stevenson (BAFTA nominee, “Burton and Taylor”), editor Virginia Katz (“Beauty and the Beast,” “Mr. Holmes”), and costume designer Keith Madden (miniseries “Patrick Melrose,” “Mr. Holmes”). The music is composed by two-time Oscar nominee Carter Burwell (“Three Billboards Outside Ebbing, Missouri,” “Carol”). “The Good Liar” opens in theatres on Friday, November 15, 2019. New Line Cinema presents, in association with BRON Creative, a 1000 Eyes Production, a Bill Condon Film, “The Good Liar.” The film will be distributed by Warner Bros. Pictures. It is rated R for some strong violence, and for language and brief nudity. '
When straight-laced fire superintendent Jake Carson (John Cena) and his elite team of expert firefighters (Keegan-Michael Key, John Leguizamo and Tyler Mane) come to the rescue of three siblings (Brianna Hildebrand, Christian Convery and Finley Rose Slater) in the path of an encroaching wildfire, they quickly realize that no amount of training could prepare them for their most challenging job yet - babysitters. Unable to locate the children's parents, the firefighters have their lives, jobs and even their fire depot turned upside down and quickly learn that kids - much like fires -are wild and unpredictable.'
Kate (Emilia Clarke) harumphs around London, a bundle of bad decisions accompanied by the jangle of bells on her shoes, another irritating consequence from her job as an elf in a year-round Christmas shop. Tom (Henry Golding) seems too good to be true when he walks into her life and starts to see through so many of Kate’s barriers. As London transforms into the most wonderful time of the year, nothing should work for these two. But sometimes, you gotta let the snow fall where it may, you gotta listen to your heart … and you gotta have faith. Last Christmas features the music of George Michael, including the bittersweet holiday classic of the film’s title. The film will also premiere brand new unreleased material by the legendary Grammy-winning artist, who sold more than 115 million albums and recorded 10 No. 1 singles over the course of his iconic career. '
Based on the story of iconic freedom fighter Harriet Tubman, Harriet follows Tubman on her escape from slavery and subsequent missions to free dozens of slaves through the Underground Railroad in the face of growing pre-Civil War adversity. '
"Doctor Sleep" continues the story of Danny Torrance, 40 years after his terrifying stay at the Overlook Hotel in The Shining. Ewan McGregor, Rebecca Ferguson and newcomer Kyliegh Curran star in the supernatural thriller, directed by Mike Flanagan, from his own screenplay based upon the novel by Stephen King. Still irrevocably scarred by the trauma he endured as a child at the Overlook, Dan Torrance has fought to find some semblance of peace. But that peace is shattered when he encounters Abra, a courageous teenager with her own powerful extrasensory gift, known as the "shine." Instinctively recognizing that Dan shares her power, Abra has sought him out, desperate for his help against the merciless Rose the Hat and her followers, The True Knot, who feed off the shine of innocents in their quest for immortality. Forming an unlikely alliance, Dan and Abra engage in a brutal life-or-death battle with Rose. Abra's innocence and fearless embrace of her shine compel Dan to call upon his own powers as never before—at once facing his fears and reawakening the ghosts of the past. '
MIDWAY centers on the Battle of Midway, a clash between the American fleet and the Imperial Japanese Navy which marked a pivotal turning point in the Pacific Theater during WWII. The film, based on the real-life events of this heroic feat, tells the story of the leaders and soldiers who used their instincts, fortitude and bravery to overcome the odds.'
“Maleficent: Mistress of Evil” is a fantasy adventure that picks up several years after “Maleficent,” in which audiences learned of the events that hardened the heart of Disney’s most notorious villain and drove her to curse a baby Princess Aurora. The film continues to explore the complex relationship between the horned fairy and the soon to be Queen as they form new alliances and face new adversaries in their struggle to protect the moors and the magical creatures that reside within.'
Forever alone in a crowd, Arthur Fleck seeks connection. Yet, as he trods the sooted Gotham City streets and rides the graffitied mass transit rails of a hostile town teeming with division and dissatisfaction, Arthur wears two masks. One, he paints on for his day job as a clown. The other he can never remove; it’s the guise he projects in a futile attempt to feel he’s a part of the world around him, and not the misunderstood man whom life is repeatedly beating down. Fatherless, Arthur has a fragile mother, arguably his best friend, who nicknamed him Happy, a moniker that’s fostered in Arthur a smile that hides the heartache beneath. But, when bullied by teens on the streets, taunted by suits on the subway, or simply teased by his fellow clowns at work, this social outlier only becomes even more out of sync with everyone around him. Directed, co-written and produced by Todd Phillips, “Joker” is the filmmaker’s original vision of the infamous DC villain, an origin story infused with, but distinctly outside, the character’s more traditional mythologies. Phillips’ exploration of Arthur Fleck, who is indelibly portrayed by Joaquin Phoenix, is of a man struggling to find his way in Gotham’s fractured society. Longing for any light to shine on him, he tries his hand as a stand-up comic, but finds the joke always seems to be on him. Caught in a cyclical existence between apathy and cruelty and, ultimately, betrayal, Arthur makes one bad decision after another that brings about a chain reaction of escalating events in this gritty, allegorical character study. Three-time Oscar nominee Phoenix (“The Master,” “Walk the Line,” “Gladiator”) stars in the titular role alongside Oscar winner Robert De Niro (“Raging Bull,” “The Godfather: Part II”). The film also stars Zazie Beetz (TV’s “Atlanta,” “Deadpool 2”), Frances Conroy (TV’s “American Horror Story,” Hulu’s “Castle Rock”), Brett Cullen (“42,” Netflix’s “Narcos”), Glenn Fleshler (TV’s “Billions,” “Barry”), Bill Camp (“Red Sparrow,” “Molly’s Game”), Shea Whigham (“First Man,” “Kong: Skull Island”), Marc Maron (TV’s “Maron,” “GLOW”), Douglas Hodge (“Red Sparrow,” TV’s “Penny Dreadful”), Josh Pais (upcoming “Motherless Brooklyn,” “Going in Style”) and Leigh Gill (HBO’s “Game of Thrones”). Oscar nominee Phillips (“Borat,” “The Hangover” trilogy) directed from a screenplay he co-wrote with Oscar-nominated writer Scott Silver (“The Fighter”), based on characters from DC. The film was produced by Phillips and Oscar nominee Bradley Cooper (“A Star Is Born,” “American Sniper”) under their Joint Effort banner, and Oscar nominee Emma Tillinger Koskoff (“The Wolf of Wall Street”). It was executive produced by Michael E. Uslan, Walter Hamada, Aaron L. Gilbert, Joseph Garner, Richard Baratta, and Bruce Berman. Behind the scenes, Phillips was joined by director of photography Lawrence Sher (“Godzilla: King of the Monsters,” “The Hangover” trilogy), production designer Mark Friedberg (“If Beale Street Could Talk,” “Selma”), editor Jeff Groth (“War Dogs,” “The Hangover Part III”), and Oscar-winning costume designer Mark Bridges (“Phantom Thread,” “The Artist”). The music is by Hildur Guðnadóttir (HBO’s “Chernobyl,” “Sicario: Day of the Soldado”). Warner Bros. Pictures Presents, in Association with Village Roadshow Pictures, in Association with BRON Creative, a Joint Effort Production, a Film by Todd Phillips, “Joker.” '
Academy Award®-winners Matt Damon and Christian Bale star in FORD v FERRARI, the remarkable true story of the visionary American car designer Carroll Shelby (Damon) and the fearless British driver Ken Miles (Bale), who together battled corporate interference, the laws of physics, and their own personal demons to build a revolutionary race car for Ford Motor Company and take on the dominating race cars of Enzo Ferrari at the 24 Hours of Le Mans in France in 1966.'